MY APPROACH
The process of making a work of art varies from artist to artist. Below is how I
develop a painting from beginning to a finished work of art.
All my paintings are started with observations from nature. The paintings are
meant to be expressions of a mood that I feel at the time of that observation and are not
meant to be literal detailed descriptions of nature. The emphasis is on color, light, and
especially composition; for it is the composition that makes the expression in a work of
art, not the subject matter.
The process of combining different pictorial elements will bring the work of art to
another level of comprehension. To begin that process, I make many drawings in black
and white as well as color that allow me to familiarize and saturate myself with the
subject at hand. This is essential because there will be many pictorial problems to solve
as the painting progresses. The series of sketches fully evolve into a “viewpoint” I
should take to create a composition that best expresses the mood.
The painting will go through many changes and adjustments in order to arrive at
the correct expression. Large simplified areas are used to build up the composition. The
shapes of these large areas unite the composition and create massive movement to keep
the eye moving. I use color in an arbitrary manner. This gives me more freedom and
greater creative selectivity. Aesthetics plays an underlying important part in all my
decisions.
I have been influenced by many artists but especially Edwin Dickinson, for his
sensitive tones that he found in nature, Picasso for his courage to pursue new daring
ideas and Albert Pinkham Rider for his insistence on pushing a painting as far as you
can—“there is no compromise”.
-Ralph Della-Volpe
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